Jean honore FRAGONARD Biography and PaintingFragonard Jean-honore Alexandre Fragonard was the product of an extremely rich artistic background; he was the son of the great Rococo painter Jean-Honoré Fragonard, the pupil of Jacques-Louis David, and the exact contemporary of J.-A.-D. Ingres. All these influences contributed to his artistic versatility and mastery as well as to the eclipse that his reputation suffered by comparison, and which is only recently being rectified.
The rapidly changing political regimes of the early nineteenth century caused Fragonard's work on several occasions to be destroyed or left incomplete. Under Napoleon he designed a sculptured frontal for the Chamber of Deputies (Palais Bourbon) which was replaced during the July Monarchy. Designs for the same building commissioned under the Restoration were aborted after the July Revolution of 1830. During the restoration, when he really came of age, Fragonard saw continued success as he changed his subject matter to suit current tastes. In 1819, already an accomplished artist, he ventured into the newly popular territory of historical genre painting. This change was well noted in contemporary criticism. Themes from the Middle Ages and the Renaissance, recently reintroduced into fashion by the troubadour painters dominated Fragonard's painting for the rest of his life. His style, however, with its rich palette, painterly flourish, dramatic gesture and light effects, was very different from that of the troubadour painters, and closer to the next generation of Romantic artists associated with Delacroix -- Colin and Bonington. During the Restoration and July Monarchy Fragonard received important commissions for painted decorations for the Louvre (François I armé chevalier par Bayard, François I reçoit les tableaux rapportés d'Italie par le Primatice; Les Sciences et les Beaux-Arts rendent hommage à leurs dieux protecteurs), Versailles (Bataille de Marignan), and numerous churches including Strasbourg Cathedral, the Church of Ste. Geneviève, and Saint-Etienne-du-Mont. He continued to exhibit easel paintings through the 1842 Salon. During this period Fragonard also did much work for the Sèvres Manufactory, including both the design of porcelain forms and the decoration. Credit
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